Counterpoint has 5 ratings and 0 reviews: Published June 1st by Schirmer Books, Hardcover. Heinrich Schenker. Counterpoint. Translated by John. Rothgeb and Jiirgen Thym . Edited by John Rothgeb. 2 vols. New York: Schirmer Books, Reviewed. COUNTERPOINT. A Translation of Kontrapuikr by. Heinrich Schenker. THANALAIDEHITY. JOIN ROTTICI. AND TOEGUN THYM. Schenker. TOLEDOJ HY JOHN.

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Diary entry by Schenker for 26 March Schenker has received Halm’s article about him, and expresses his appreciation.

Diary entry scjenker Schenker for 22 November Schenker has not responded to Grunsky’s invitation because of pressure of work with Kontrapunkt. Cotta replied with new financial proposals, in the face of which Schenker realized that he could no longer fall back on Alphons von Rothschild for the publication costs.

Gabby Chu marked it as to-read Jun 26, Return to Book Page. It is of interest to note that, although many of Schenker’s ideas have had a widespread influence on present-day music theoristshis views on pedagogy and the nature of contrapuntal studes have not prevailed: Diary entry by Schenker for 10 November Ebony Khadija marked it as to-read Nov 23, Diary entry by Schenker for 17 February First exploring common ground between him and Grunsky, he then offers “technical reasons” why he regards Bruckner as “possessing minimal powers of invention,” therefore cannot call him a “master.

Harmony5th ed. Diary entry by Schenker for 3 April The Principles [ edit ] The principles of strict counterpoint constitute one of the fundamental components of Schenker’s musical theory see Schenkerian analysis.


Counterpoint (Schenker) – Wikipedia

Arnost Stedry schebker it liked it Feb 03, There are no discussion topics on this book yet. Andrew Boscardin marked it as to-read Jan 29, Retrieved from ” https: Schenker asks for a copy of his Harmonielehre to be sent to the Gesellschaft der Musikfreunde; — He seeks advice regarding Theodor Frimmel and the Beethoven-Jahrbuch, explaining the delay on Kontrapunkt I.

June 1, ] Responding to Grunsky’s request, Schenker gives his assessment of Bruckner’s music. Kontrapunkt 1 Bibliographical Data volume title-page: He sends little Karl a picture of himself, and leaves space for Violin’s sister Fanny to add a short greeting. Diary entry by Schenker for 3 December Universal Edition have declined to publish his Sextet.

Schenker promises a list of people in German to receive complimentary copies of Counterpointt, and a new proposal. By using this site, you agree to the Terms of Use and Privacy Policy.


CA Handwritten letter from Schenker to Cotta, dated December 2, Schenker explains the necessity for some late interpolations into Kontrapunkt I. Diary entry by Schenker for 24 March Diary entry by Schenker for 1 January August 5, Weisse apologizes for not having written for a long time.

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Published June 1st by Schirmer Books first published Diary entry by Schenker for 5 January Preparation of Kontrapunkt is recorded in Schenker’s diary from at least August Emily Savary rated it it was amazing Sep 22, A pencil note states that on March 26,11 copies were handed over to the Gestapo. Diary entry by Schenker for 30 August Akira marked it as to-read Aug 10, Schenker defends couterpoint Introduction to the Instrumentations-Tabelle and the exclusion of the heckelphone.


The “Foreword” to Harmonielehre released November 10,states: Dunn has sent him his translation [of part of Kontrapunkt], which he thinks may counteerpoint classroom use better than that of Vrieslander.

On November 6, Schenker claimed that Section III was the “complete” volume, and urged Cotta to proceed with printing, while at the same time vaguely retaining the possibility that he might send them more to be incorporated CA Counterpoint Free Composition Coubterpoint. Diary entry by Schenker counterppoint 18 June As in his other works, Schenker is highly critical in Counterpoint of many of his theoretical predecessors, and of pedagogical methods then and still prevalent.

Diary entry by Schenker for 3 May David added it Feb 02, Schenker’s mother died in December ; he looked after her and his siblings from the time his father died []. Volume II of Schenker’s series of theoretical works entitled Neue Musikalische Theorien und Phantasien New Musical Theories and Schebkeroriginally intended as a single volume, but ultimately split into two half-volumes, the first, subtitled Cantus Firmus and Two-voice Counterpointpublished by J.

After the negotiations with Universal Edition over Kontrapunkt 2 see belowa print-run of copies of Kontrapunkt schenoer was produced for UE on February 21, UE